stupidchicken03

iTrader: (38)

This. Almost NEVER on either site.

Rev. Rob Large

iTrader: (11)

Forgestars aren't exactly cheap -- Mustang Forgestar F14 Wheels | AmericanMuscle | Free Shipping

UnderTheRadar

iTrader: (1)

Glad I could breathe some life into this thread

The Law

I've never seen Rays Engineering wheels give like that before. Then again that guy did say he had 14 race days on those wheels, so I can see why the wheels would start to crack from all that stress.

Chris GTO TT

iTrader: (4)

I used to like Jalopnik a lot more when Gawker-media was much more hands off. It's less and less car news and more and more junk gone viral, car related.

Rev. Rob Large

iTrader: (11)

I tried to provide a little culture and got crickets.

Luckily for you, soft squishy mud doesn't really stress wheels too much.

The Law

Well you never provided a video of the hula performance......so......


Not at all

stupidchicken03

iTrader: (38)

Pretty sure there were not one, but TWO videos in his post

The Law

I was referring to the other part of his post of the actual winners

stupidchicken03

iTrader: (38)

so.... you didnt watch the two videos linked and were waiting for a HI-res video to be posted??? So the first two didnt count??

Rev. Rob Large

iTrader: (11)

lmao I give up..

stupidchicken03

iTrader: (38)

The Law

I did watch those two videos. I was expecting him to post the videos of the winners of the single performances.

rupees88

Let's put that on a shirt.

We need science and culture from you Samir.

Still provided more than you and your sammiches... #neverforget

Rev. Rob Large

iTrader: (11)

The olelo (words or speak) at the beginning of each kahiko is, for lack of a better word, a summary of the story or history of the mele (song) that is about to be performed. Not only does she execute it flawlessly, she does it with amazing speed. ****, I can't even speak English that fast. It's a way of showing your mastery of the olelo. This is, then, extended to the hula itself since the hula is the physical (versus verbal) conveyance or expression of the mele. Master the olelo, master the hula.

For each kahiko, the dancers are judged on a whole gambit of categories -- the power and strength of delivery, accuracy of moves in expressing the olelo of the kahiko, fluidity of the movements, etc.

Kayli Ka'iulani Carr kahiko:


Her 'auana (modern), in complement to her kahiko, is a display of grace and captures the emotion of the mele, not only in her movement, but in her facial expressions as well.

Kayli Ka'iulani Carr 'auana:


One review I read called her performances something that is almost never used to describe a hula: perfect.